‘If it’s happening in the Kingdom, chances are it’s on Snapchat’

‘If it’s happening in the Kingdom, chances are it’s on Snapchat’
Saudis express their authentic selves on Snapchat twice as often as on other platforms, says Snap Inc.’s regional business lead in the Kingdom. (Supplied)
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Updated 12 July 2024
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‘If it’s happening in the Kingdom, chances are it’s on Snapchat’

‘If it’s happening in the Kingdom, chances are it’s on Snapchat’
  • Snapchat reaches over 90% of those aged 13-34 in Saudi
  • Kingdom’s users open app over 50 times daily on average

DUBAI: “Snapchat is particularly popular in Saudi Arabia,” Snap Inc.’s regional business lead in the Kingdom, Abdulla Alhammadi, told Arab News during a recent interview.

In Saudi Arabia, the app reaches over 90 percent of those aged between 13 and 34, with users opening it over 50 times a day on average.

And it boasts a monthly addressable reach — or the number of Snapchat users who can be reached through ads in a given month — exceeding 22 million.

Its popularity in the Kingdom “is deeply rooted in its ability to fuel and foster real connections within the community amid the evolving social and cultural landscape of the Kingdom,” Alhammadi explained.

Snapchat was always built to be different from other social media platforms, he added.

Unlike other apps, Snapchat does not have a news feed. However, every Snapchat user has a “Snapscore” that is displayed under their profile.

This is described by the company as a “super-secret, special equation” based on the number of Snaps sent and received, Stories posted, and other undisclosed factors.

Still, this score does not affect the popularity of the posts themselves. This is unlike other social media platforms whose algorithms take “likes” and “shares” into account to determine the popularity of posts and their appearance to a user’s friends or followers.

On the contrary, posts on Snapchat are temporary, disappearing after 24 hours — a feature copied by other apps in the form of Stories.

Alhammadi believes these features allow the app’s users “to be — and show — their true, authentic selves.”

This is why Saudi Arabia’s citizens “express their authentic selves on Snapchat twice as often as on other platforms.” This results in Snapchat surpassing “other social connectivity apps” to become “the platform of choice” for citizens, he added.

In order to celebrate the app’s popularity in the Kingdom, Snapchat launched its first Saudi Arabia-focused campaign this May called “Telgana Ala Snap,” which translates to “Find us on Snap.”

The campaign film showcases how audiences in the Kingdom use Snapchat: from a brother imitating his father through the old age lens, to a teenager tucked into bed watching Snap star Naif Hamdan.

For Snap, Alhammadi said, the campaign is a celebration “of the profound role of Snapchat in the daily lives of Saudis.

“We like to say, if it’s happening in the Kingdom, chances are it’s on Snapchat.”

Despite Snapchat’s reach in the Kingdom, “many brands are still not fully harnessing these capabilities to connect with audiences,” he said.

Augmented reality has been shown to enhance the shopping experience leading to a 94 percent higher conversion rate in Saudi Arabia, according to Alhammadi.

But lack of awareness about AR and platforms like Snapchat, as well as challenges in integrating AR into marketing strategies, pose a significant barrier for advertisers.

He advises brands to understand the unique needs of the Saudi Arabia audience and tailor their strategies accordingly, especially as the Kingdom is making big leaps toward integrated digital experiences.

According to a recent study by consulting firm Kearney, a majority of respondents (84 percent) expressed a preference for engaging in at least part of their shopping activities online, with only 16 percent preferring in-store shopping.

And yet, less than 30 percent of consumers see the retail sector as being technologically advanced, the study found.

“There is a lot of work to be done to ensure brands are equipped to thrive in the digital age,” Alhammadi said.

Saudi Arabia’s Vision 2030 and the government’s investments in the digital economy “create an environment conducive to innovation and entrepreneurship, laying a solid foundation for Snap’s growth and business development in the region,” he added.

And Snap is committed to working with local governing bodies to support their goals for the Kingdom, such as the digital transformation agenda, he continued.

The company has partnered with several government bodies on various occasions to create AR lenses, filters, and physical activations.

For example, this February, Snap partnered with the Saudi Tourism Authority to create a campaign for the Kingdom’s Founding Day that included an AR experience, which enabled users to dress up in traditional attire.

The campaign, which was live for one day, reached 15 million Snapchat users. This created a new record of one-day engagements for a single activation on Snapchat and marking a first for the company in the Middle East and North Africa region, Alhammadi explained.

Last year, Snapchat collaborated with Saudi Arabia’s Ministry of Culture and the Saudi Fashion Commission, to launch TASAWAR, an augmented reality exhibition that merged design and technology.

Snapchat created AR showrooms for five Saudi designers — Hekayat, Hindamme, ArAm, Abadia, and KAF by KAF — that allowed visitors to experience virtual runways, dress try-ons, and headpiece selfie lenses during Riyadh Fashion Week.

Going forward, Alhammadi said, Snap is focusing locally on two areas: improving results for advertisers to drive overall demand on Snapchat, and continue showcasing its AR technology.

This “has the power to change the face of every industry, meeting the ambitious digital transformation agendas taking shape in the region.”

He added: “With internet adoption at 100 percent and smartphone penetration at 95 percent (in Saudi Arabia), Saudi consumers are eager to explore new ideas and engage with the latest innovations, driving demand for Snap’s products and services.”


Italian journalist arrested in Iran: Rome

Italian journalist arrested in Iran: Rome
Updated 27 December 2024
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Italian journalist arrested in Iran: Rome

Italian journalist arrested in Iran: Rome
  • Cecilia Sala was detained on Dec. 19 by police in Tehran
  • Foreign ministry said it had been following case closely

ROME: Italy denounced Friday the “unacceptable” arrest of an Italian journalist in Iran, who her employer said was being held in solitary confinement in Tehran’s notorious Evin prison.
Cecilia Sala was detained on Dec. 19 by police in Tehran, the Italian foreign ministry said in a statement, adding that Italy’s ambassador, Paola Amadei, had visited her earlier Friday.
Defense Minister Giudo Crosetto said on X that her arrest was “unacceptable,” adding that Italy was using “high-level political and diplomatic action” to try to secure her release.
Chora Media, an Italian podcast publisher for which Sala worked, said she had left Rome for Iran on Dec. 12 with a journalism visa, and was due to return on December 20.
But she went quiet on Dec. 19 and then did not board her flight. Shortly afterward she called her mother to say she had been arrested, it said.
“She was taken to Evin prison, where dissidents are held, and the reason for her arrest has not yet been formalized,” Chora said in a statement.
Sala also worked for Italian newspaper Il Foglio, which said she had been in Iran “to report on a country she knows and loves.”
“Journalism is not a crime, even in countries that repress all freedoms, including those of the press. Bring her home,” it said.
Chora said it had not publicized her case until now in the hope that she would swiftly be returned home. It called for her immediate release.
The foreign ministry said it had been following the case closely and was working with Iranian authorities to clarify Sala’s situation, including the conditions of her detention.
Sala, reported to be 29-years-old, had been able to make two phone calls to relatives, it said, without giving further details.


Lebanese journalist Abir Rahal killed by husband before his suicide

Lebanese journalist Abir Rahal killed by husband before his suicide
Updated 29 December 2024
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Lebanese journalist Abir Rahal killed by husband before his suicide

Lebanese journalist Abir Rahal killed by husband before his suicide
  • The couple were at a Shariah court in the town of Shheem in Mount Lebanon to complete their divorce proceedings
  • Masoud fled the scene after shooting his wife at a close range

BEIRUT: Lebanese journalist Abir Rahal was shot to death by her husband inside a courthouse before he committed suicide, reported the state news agency NNA.

The couple were at a Shariah court in the town of Shheem in Mount Lebanon to complete their divorce proceedings after Rahal filed for separation from her husband, Khalil Masoud, according to media reports.

Masoud fled the scene after shooting his wife at a close range, posting a video on his Facebook account an hour later detailing their financial disputes over a local news website he claimed to have founded.

He also expressed his intent to commit suicide after the video is posted.

Security officers later found his body in his car after he shot himself with a gun in his possession.

“When you watch this video, I will have departed this world,” said Masoud.

He was transported to the government hospital in Sibline but succumbed to his injuries shortly afterward.

The couple are survived by their three children.


Palestinian TV says Israeli strike kills 5 journalists in Gaza

Palestinian TV says Israeli strike kills 5 journalists in Gaza
Updated 26 December 2024
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Palestinian TV says Israeli strike kills 5 journalists in Gaza

Palestinian TV says Israeli strike kills 5 journalists in Gaza
  • The Committee to Protect Journalists’ Middle East arm said the organization was devastated

GAZA: A Palestinian TV channel affiliated with a militant group said five of its journalists were killed Thursday in an Israeli strike on their vehicle in Gaza, with Israel’s military saying it had targeted a “terrorist cell.”
A missile hit the journalists’ broadcast truck as it was parked in the Nuseirat refugee camp in central Gaza, according to a statement from their employer, Al-Quds Today.
It is affiliated with Islamic Jihad, whose militants have fought alongside Hamas in the Gaza Strip and took part in the October 7, 2023 attack on Israel that sparked the war.
The channel identified the five staffers as Faisal Abu Al-Qumsan, Ayman Al-Jadi, Ibrahim Al-Sheikh Khalil, Fadi Hassouna and Mohammed Al-Lada’a.
They were killed “while performing their journalistic and humanitarian duty,” the statement said.
“We affirm our commitment to continue our resistant media message,” it added.
The Israeli military said in its own statement that it had conducted “a precise strike on a vehicle with an Islamic Jihad terrorist cell inside in the area of Nuseirat.”
It added that “prior to the strike, numerous steps were taken to mitigate the risk of harming civilians.”
According to witnesses in Nuseirat, a missile fired by an Israeli aircraft hit the broadcast vehicle, which was parked outside Al-Awda Hospital, setting the vehicle on fire and killing those inside.
The Committee to Protect Journalists’ Middle East arm said the organization was “devastated by the reports that five journalists and media workers were killed inside their broadcasting vehicle by an Israeli strike.”
“Journalists are civilians and must always be protected,” it added in a statement on social media.
The Palestinian Journalists Syndicate said last week that more than 190 journalists had been killed and at least 400 injured since the start of the war in Gaza.
It was triggered by the Hamas-led October 7 attack last year, which resulted in 1,208 deaths, mostly civilians, according to an AFP tally of Israeli official figures.
Israel’s retaliatory military campaign has killed at least 45,361 people in Gaza, a majority of them civilians, according to figures from the Hamas-run territory’s health ministry that the UN considers reliable.


Palestinian Authority clashes with Al Jazeera over Jenin coverage

Palestinian Authority clashes with Al Jazeera over Jenin coverage
Updated 25 December 2024
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Palestinian Authority clashes with Al Jazeera over Jenin coverage

Palestinian Authority clashes with Al Jazeera over Jenin coverage
  • Palestinian Authority security forces have battled Islamist fighters in Jenin, as they try to control one of the historic centers of militancy in the West Bank ahead of a likely shakeout in Palestinian politics after the Gaza war

JERUSALEM: Al Jazeera television has clashed with the Palestinian Authority over its coverage of the weeks-long standoff between Palestinian security forces and militant fighters in the occupied West Bank city of Jenin.
Fatah, the faction which controls the Palestinian Authority, condemned the Qatari-headquartered network, which has reported extensively on the clashes in Jenin, saying it was sowing division in “our Arab homeland in general and in Palestine in particular.” It encouraged Palestinians not to cooperate with the network.
Israel closed down Al Jazeera’s operations in Israel in May, saying it threatened national security. In September, it ordered the network’s bureau in Ramallah, to close for 45 days after an intelligence assessment that the offices were being used to support terrorist activities.
“Al Jazeera has successfully maintained its professionalism throughout its coverage of the unfolding events in Jenin,” it said in a statement on Tuesday.
Palestinian Authority security forces have battled Islamist fighters in Jenin, as they try to control one of the historic centers of militancy in the West Bank ahead of a likely shakeout in Palestinian politics after the Gaza war.
Forces of the PA, which exercises limited self-rule in the West Bank, moved into Jenin in early December, clashing daily with fighters from Hamas and Islamic Jihad, both of which are supported by Iran.
The standoff has fueled bitter anger on both sides, deepening the divisions which have long existed between the Palestinian factions and their supporters.
Al Jazeera said its broadcasts fairly presented the views of both sides.
“The voices of both the Palestinian resistance and the Spokesperson of the Palestinian National Security Forces have always been present on Al Jazeera’s screens,” Al Jazeera said.
 

 


‘Like a dream’: AFP photographer’s return to Syria

Syrian AFP photographer Sameer Al-Doumy talks with people from his old neighborhood in the city of Douma near Damascus.
Syrian AFP photographer Sameer Al-Doumy talks with people from his old neighborhood in the city of Douma near Damascus.
Updated 25 December 2024
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‘Like a dream’: AFP photographer’s return to Syria

Syrian AFP photographer Sameer Al-Doumy talks with people from his old neighborhood in the city of Douma near Damascus.
  • “We didn’t dare to imagine that Assad could fall because his presence was so anchored in us,” said Al-Doumy
  • Award-winning photographer has spent the last few years covering migrant crisis for AFP’s Lille bureau in northern France

DOUMA: AFP photographer Sameer Al-Doumy never dreamed he would be able to return to the hometown in Syria that he escaped through a tunnel seven years ago after it was besieged by Bashar Assad’s forces.
Douma, once a militant stronghold near Damascus, suffered terribly for its defiance of the former regime, and was the victim of a particularly horrific chemical weapons attack in 2018.
“It is like a dream for me today to find myself back here,” he said.
“The revolution was a dream, getting out of a besieged town and of Syria was a dream, as it is now being able to go back.
“We didn’t dare to imagine that Assad could fall because his presence was so anchored in us,” said the 26-year-old.
“My biggest dream was to return to Syria at a moment like this after 13 years of war, just as it was my biggest dream in 2017 to leave for a new life,” said the award-winning photographer who has spent the last few years covering the migrant crisis for AFP’s Lille bureau in northern France.
“I left when I was 19,” said Sameer, all of whose immediate family are in exile, apart from his sister.
“This is my home, all my memories are here, my childhood, my adolescence. I spent my life in Douma in this house my family had to flee and where my cousin now lives.
“The house hasn’t changed, although the top floor was destroyed in the bombardments.
“The sitting room is still the same, my father’s beloved library hasn’t changed. He would settle down there every morning to read the books that he had collected over the years — it was more important to him than his children.
“I went looking for my childhood stuff that my mother kept for me but I could not find it. I don’t know if it exists anymore.
“I haven’t found any comfort here, perhaps because I haven’t found anyone from my family or people I was close to. Some have left the country and others were killed or have disappeared.
“People have been through so much over the last 13 years, from the peaceful protests of the revolution, to the war and the siege and then being forced into exile.
“My memories are here but they are associated with the war which started when I was 13. What I lived through was hard, and what got me through was my family and friends, and they are no longer here.
“The town has changed. I remember the bombed buildings, the rubble. Today life has gone back to a kind of normal as the town waits for people to return.”
Douma was besieged by Assad’s forces from the end of 2012, with Washington blaming his forces for a chemical attack in the region that left more than 1,400 people dead the following year.
Sameer’s career as a photojournalist began when he and his brothers began taking photos of what was happening around them.
“After the schools closed I started to go out filming the protests with my brothers here in front of the main mosque, where the first demonstration in Douma was held after Friday prayers, and where the first funerals of the victims were also held.
“I set up my camera on the first floor of a building which overlooks the mosque and then changed my clothes afterwards so I would not be recognized and arrested. Filming the protests was banned.
“When the security forces attacked, I would take the SIM card out of my phone and the memory card out of my camera and put them in my mouth.”
That way he could swallow them if he was caught.
In May 2017, Sameer fled through a tunnel dug by the militants and eventually found himself in Idlib with former fighters and their families.
“I took the name Sameer Al-Doumy (Sameer from Douma) to affirm that I belonged somewhere,” even though he was exiled, he said. “I stopped using my first name, Motassem, to protect my family living in Damascus.
“In France I have a happy and stable life. I have a family, friends and a job. But I am not rooted to any particular place. When I went back to Syria, I felt I had a country.
“When you are abroad, you get used to the word ‘refugee’ and you get on with your life and make a big effort to integrate in a new society. But your country remains the place that accepts you as you are. You don’t have to prove anything.
“When I left Syria, I never thought one day I would be able to return. When the news broke, I couldn’t believe it. It was impossible Assad could fall. Lots of people are still in shock and are afraid. It is hard to get your head around how a regime that filled people with so much fear could collapse.
“When I returned to the Al-Midan district of Damascus (which had long resisted the regime), I could not stop myself crying.
“I am sad not to be with my loved ones. But I know they will return, even if it takes a while.
“My dream now is that one day we will all come together again in Syria.”